Futurism
(1909-1914)
Futurism came into being with
the appearance of a manifesto published by the poet Filippo Marinetti on the
front page of the February 20, 1909, issue of Le Figaro. It was the very first
manifesto of this kind.
Marinetti summed up the major
principles of the Futurists. He and others espoused a love of speed, technology
and violence. Futurism was presented as a modernist movement celebrating the
technological, future era. The car, the plane, the industrial town were
representing the motion in modern life and the technological triumph of man
over nature. Some of these ideas, specially the use of modern materials and
technique, were taken up later by Marcel Duchamp (French, 1887-1968), the
cubist, the constructivist and the dadaist.
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Futurists mixed activism and
artistic research. They organized events that caused scandal. Everything was
there to help them to glorify Italy and lead their country into the age of
modernity. Certain Futurists vehemently promoted themselves to try to join
forces with the Fascists, who were coming to power at the time. But Mussolini
showed a preference for the Novecento Italiano, movement of artists who
identified with the classical order and Italian heritage.
Futurism was a largely Italian
movement, although it also had adherents in other countries, France and most
notably Russia. Close to Futurism with its inspirations and motivations was Precisionism,
an important development of American Modernism.
Although Futurism itself is now
regarded as extinct, having died out during the 1920s, powerful echoes of
Marinetti's thought, still remain in modern, popular culture and art. Futurism
influenced many other 20th century art movements, including Art Deco,
Vorticism, Constructivism and Surrealism.
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