Expressionism
Expressionism developed during
the late 19th and early 20th centuries. Expressionis was opposed to academic
standards that had prevailed in Europe and emphasized artist's subjective
emotion, which overrides fidelity to the actual appearance of things. The
subjects of expressionist works were frequently distorted, or otherwise
altered. Landmarks of this movement were violent colors and exaggerated lines
that helped contain intense emotional expression. Application of formal
elements is vivid, jarring, violent, or dynamic. Expressionist were trying to
pinpoint the expression of inner experience rather than solely realistic
portrayal, seeking to depict not objective reality but the subjective emotions
and responses that objects and events arouse in them.
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The Belgian painter and
printmaker James Ensor was such an artist - with his sense of isolation.
The Norwegian painter and
printmaker Edvard Munch dealt - with different fears.
The Vienesse painters Oskar
Kokoschka and Egon Schiele first started with their expressionistic styles
within Klimt's circle of the Vienna Secession. Vienesse Expressionism later
gained significance between years 1905 and 1918 during a politically and
culturally turbulent era of revelation of the profoundly problematic conditions
of the turn-of-the-century Europe.
In the years just around 1910
the expressionistic approach pioneered by Ensor, Munch, and van Gogh, in
particular, was developed in the work of three artists' groups: the Fauves, Die
Brucke, Der Blaue Reiter.
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